Sampler Optimized mode:Īs described above, Optimized is generally where you want to go when you want Sampler to get particularly intelligent with your samples. There are a pair of options within the Optimized and Chromatic paths to make note of below as well. Chromatic just lays the slices of the files across the keyboard’s range starting from C2. To put it basically, Optimized automatically analyzes your sample(s), edits it/them, and puts the slices or zones on the correct note of your keyboard. Much like Quick Sampler, a pair of contextual drop zones appear directly on top of Sampler’s Navigation bar when dragging in your desired sample or collection there of. We touched on Quick Sampler’s version of the tech previously and here’s a quick look how things are expanded with Sampler’s ability to handle everything from large folders worth of samples from hardware instruments, drum sample kits, one-shot SFX, and vocal phrases, for example. But either way, a good understanding of the Optimized and Chromatic drop zone options here is quite important and a good place to start. The drag and drop to track header technique we outlined previously also works with more than one file in hand as well. EXS24 vets can still create sampler instruments the old way via creating custom zones, but for today’s purposes we will be focusing on the new options. To create your own sampler instrument, just drag an audio file (or multiple files) onto the Sampler interface. You can browse through the included bundle of sampler instrument settings or drag and drop your own audio files, from anywhere, directly on to the Sampler interface, just like we detailed with Quick Sampler. The best way I’ve found to get a good feel for Sampler in a hurry, especially if you were never close with with EXS24, is to first check out the preset sampler instrument settings, and then just start making your own. It can be inserted into the instrument slot on Software Instrument tracks, implemented in your Live Loops sessions, and programmed with the new Step Sequencer. Sampler works just like any other plug-in instrument in your Logic Pro X system. Sampler uses the same file extension as EXS24 and stores/accesses custom-made software instruments via the same default location on your hard drive. Even with all of the new tech that has been injected into Sampler, I have thus far had no issues running software instruments made throughout the years on EXS24. Or, just completely stay out of your way and lay your samples out as they stand across your keyboard just the same.īackwards compatible with the legendary EXS24, those heavily invested in that eco-system will find everything has now just been smoothly transferred over. ![]() Sampler can automatically, in a matter of seconds, author a proper sampler instrument for you, surgically editing your audio clip to make use of various elements of the original performance to intelligently implement them into your new sound. To say it can analyze the pitch and other characteristics of soon-to-be samples and then pitch it/them across your keyboard is selling the technology short in a major way. ![]() While not unlike what we discussed with Quick Sampler’s Flex time implementation and pitch aptitude, big bro has some seriously brilliant tricks up its sleeves when dealing with more complex, multi-note files and collections of audio clips. ![]() Obviously everything is user-editable after the fact using the plug-in’s on-board Mapping and Zone panels, but the sort of auto-analysis Apple has implemented here has been impressive to say the least in our tests thus far. ![]() Sampler can automatically understand the pitch of the individual notes in the audio clips you throw at it, as well as the velocities, and more importantly your intentions (in most cases) to create intelligently designed sampler instruments automatically. Logic Pro X 10.5 - Sampler:Īlong with a series of powerful sound design controls via the built-in synth engine and modulation matrix, Apple has some impressive sampling technology in place here. If Quick Sampler can completely change the way music makers interact with just about every little clip of audio they can get a mouse pointer on, Sampler can do all that and more, automatically transforming collections of samples and melodic phrases into coherent virtual instruments with artificial intelligence levels of automation. Among the latest 10.5 update’s most exciting new additions, Sampler has now dethroned Logic Pro’s roughly decades old workhorse sampler. The long awaited successor to Logic Pro X’s EXS24 software sampler is here with full backwards compatibility, a suite of new toys pulled from Alchemy, a much needed makeover, and some particularly intelligent sampling tech.
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